A Study on the Existence of LGBTQ Dancers in Bharatanatyam with Special Reference to Chennai, India
Author : S Maruthavijayan
Abstract :
Bharatanatyam, one of the oldest classical dance forms of India, has long been associated with tradition, devotion, and a rigid performance structure. However, the evolving socio-cultural landscape has led to increasing inclusivity, allowing diverse identities, including LGBTQ artists, to find their space in this art form. This study explores the existence, representation, and challenges faced by LGBTQ dancers in Bharatanatyam, with a special focus on Chennai, a city renowned as a hub for classical dance.
Through qualitative research, this paper examines the intersection of gender identity, sexuality, and classical dance. It delves into issues of acceptance, discrimination, and visibility within the traditional dance community. Additionally, it highlights how contemporary interpretations of Bharatanatyam are being shaped by the personal narratives of LGBTQ performers. The study finds that while some progressive dance institutions and artists have begun embracing inclusivity, deep-rooted biases still exist, often limiting opportunities for LGBTQ dancers. However, emerging digital platforms and independent performances have allowed greater self-expression and visibility. The paper argues that Bharatanatyam, as a dynamic and evolving art form, must continue to adapt to ensure inclusivity and equal opportunities for all artists, irrespective of gender or sexual identity.
By shedding light on these experiences, this research contributes to the discourse on diversity in classical arts and calls for a more inclusive cultural landscape in India.
Keywords :
Bharatanatyam, LGBTQ dancers, inclusivity, classical dance, gender identity, cultural evolution.
